Rachel (Angourie Rice) and Jack (Madison Davenport) are teen sisters trying to cope with their mother’s death - Jack by playing her mom’s favorite alt-rock songs on guitar and Rachel by obsessing over Ashley O, an inspirational singer-songwriter played by Miley Cyrus. “Rachel, Jack and Ashley Too” is set in near-present-day California (and the vaguely defined Black Mirror cinematic universe), splitting its time between the three title characters.
After a promising start, its story becomes simultaneously overstuffed and underdeveloped. It’s mostly allegorical, using familiar AI and robotics tropes to raise questions about human agency. Unlike the earlier Black Mirror episodes “Fifteen Million Merits” and “The Waldo Moment,” however, it doesn’t extensively explore the social mechanics of fame or fandom. As Vox notes, it’s also a condemnation of the stifling “positivity culture” found in segments of social media. It has particular parallels with Britney Spears’ conservatorship controversy and Kesha’s legal battles with her former producer Lukasz “Dr. “Rachel, Jack and Ashley Too” is a parable about young female artists fighting for control over their lives. But the show seems ill-equipped for the episode’s particular flavor of optimism, and the result is a corny, scattershot installment of a show that’s usually revered for its sharp cynicism. It’s an uncharacteristically upbeat story about subverting sinister tech toward good ends and combining a critique of celebrity fandom with a thought experiment about brain uploading. The season 5 episode “Rachel, Jack and Ashley Too” seems like a perfect antidote. Spoiler warning: This essay does not give away the ending of “Rachel, Jack and Ashley Too,” but it does reveal some major plot twists.īlack Mirror has a frustrating tendency to treat characters as mindless dupes seduced by blatantly creepy technology.
We’re looking at each of the season’s three episodes to see what they have to say about current culture and projected fears.
#Rachel jack and ashley too black mirror wiki series
The fifth season of Charlie Brooker’s Black Mirror, a Twilight Zone -esque anthology TV series about technological anxieties and possible futures, was released on Netflix on June 5th, 2019.
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